I’ve been writing for over 25 years now, and I did some reflecting recently.
As they say, hindsight is 20/20, and I can see now where I made some important mistakes early on.
I’m sharing those mistakes with you here, in the hopes of saving you from making the same ones.
1. Waiting to Establish an Author Platform
I didn’t know anything about author platforms when I first started writing. Granted, this was back in the late 1990s, and the whole “you have to market yourself” trend hadn’t taken hold yet. In the early 2000s, authors began to realize that if they wanted their books to sell, they’d have to do most of the work themselves.
As the years passed, I failed to take action. I focused on writing alone, believing that if I could become a “good enough” writer, I could get a traditional publishing contract. I’d worry about the “platform” stuff then.
And so it came to pass. I got my publishing contract, and after I signed it, I started getting serious about blogging and establishing a presence on social media. Unfortunately, that meant one thing—my first book was pretty much ignored.
Looking back, I see why—no one knew who I was, so why buy my book? I had no platform on which to advertise it, and no one “following” me that might be interested in checking it out.
Don’t make the mistake I did: No matter where you are in your writing career, it’s never too early to start working on establishing an author platform. What does that mean? Find a way to get people to pay attention. You can do that in three steps:
- Find a niche that fits you and your work.
- Ask yourself, “How can I use this niche to help others?”
- Make sure your website, social media accounts, and other online activities reflect that niche.
Note: For more help on creating an author platform that works for you, check out the multiple award-winning book, Writer Get Noticed!
2. Failing to Submit Often Enough
Early on in my writing career, I would submit a work “maybe” five times. If it didn’t receive an acceptance, I would assume something was wrong with it and tuck it into the drawer never to be seen again.
It wasn’t until I got a little ticked at my lack of progress that I began to submit more. That change in my approach is the reason why I got my first publishing contract. I simply spent more time and effort finding and submitting to publishers.
Don’t make the mistake I did: When your story is ready to submit, make “submissions” a regular part of your writing day. Spend considerable time researching editors, agents, or publishers (whichever you’re targeting), checking their guidelines, and writing unique cover letters to each.
It takes time, but it’s the only way to get your work out there. All it takes is a change of mindset. Instead of just writing, add “submitting” to your daily job description.
3. Focusing Too Much on My Weaknesses Instead of My Strengths
If you had asked me what I did well as a writer early on, I couldn’t have told you. It would have been easy, though, to reel off everything I didn’t do so well.
I’ve since discovered that most writers are the same. They can tell you their weaknesses all day long, but ask them what their strengths are, and they’ll stammer and stutter.
We’re taught early on that we should write our stories, then get those stories critiqued so we know how to make them better. Though some critiques may mention a few good things, on the whole, critiques are heavily weighted toward what needs to be “fixed.”
As we work to become better writers, we become adept at finding what’s “wrong” with our stories and working to fix them. The problem is when you focus mostly on your weaknesses, the best you can hope for is to become mediocre. If you start from the point of your strengths, though, you start at a higher point—and with improvement, you have a chance to become extraordinary.
Don’t make the mistake I did: There’s nothing wrong with working on your weaknesses, but while you’re doing that, make sure you discover what your strengths are too. If your editors or beta reader or writing group isn’t giving you enough feedback about that, ask questions. Find out what people like about your writing, and keep track of it.
As you start to learn more about your creativity and writing style, you can work on those areas you’re already good at—and thereby become even better. That’s your ticket to writing career success.
4. Hesitating to Invest in Myself and My Work
Early on, it’s so hard to invest in this dream of writing. I hesitated every time I wanted to attend a writing conference or hire a book editor. Such things cost money, and I didn’t have a lot of it.
Still, looking back, I can say without exception that every single investment I made in my career was worth it. That means investments in paid editors, writing equipment, writing conferences, writing workshops, etc.
Even if you don’t go on to make boatloads of money from your books, investing in yourself as a writer helps you grow—not only as a writer but a creative person. In truth, it’s the same thing as investing in your education and betterment. You can’t go wrong doing it, no matter what the outcome.
Don’t make the mistake I did: Don’t hesitate to invest in yourself. Attend at least one writer’s conference a year, and when you get to where you’re not sure how to improve, hire a professional editor to help you.
Take classes and workshops, and stay open to being a perpetual student. As a writer, you will never reach a point where you don’t have more to learn. That’s one of the greatest things about it!
5. Failing to Focus on Finishing My Projects
As writers, we have a lot to learn, and many of us start from ground zero. Sure, we may have had a good English teacher or two along the way, but most don’t focus much on storytelling.
So off we go, writing away, teaching ourselves about characterization and dialogue and setting and plot, but often we neglect one very important lesson—writing a story from beginning to end.
For years I made this mistake. I started novels and didn’t finish them. I’d get confused and stuck in the middle, but rather than power through, I’d start over.
My mistake was in thinking that these stories were unsalvageable. I’ve since learned that pro writers can salvage most any story—because they’ve learned how. To become pro writers ourselves, we have to practice finishing each story while learning about things like story structure, character motivation and desire, and all the other things it takes to make a story complete.
Don’t make the mistake I did: Study story structure early on, and commit to finishing your projects, even the ones that get difficult. It may be even more important to finish the difficult ones as they may have more to teach you.
As mentioned in #4, don’t hesitate to invest in a paid editor or book doctor if you need one. You’ll learn from that person, which will prepare you to do better on your next story.
What mistakes have you made as a writer?
Photo by Andrea Piacquadio from Pexels.
Thanks!
I particularly like the advice about ending the book, as I just won’t read never-ending serials. Even in a series we need a conclusion, a grounding of character arcs, a tying up of threads at the end of each instalment.
A plotter knows where she is going from the start – a pantser must know most of the ending by two-thirds through so they can start wrapping up the plot lines.
I agree also about writing courses – any education helps – and conventions which are based around books and authors. But I would warn about courses that unless you are getting a recognised qualification out of it, don’t put down a lot of money.
I have read some of those books that leave you hanging Clare–I know what you mean! Thanks for your thoughts.
I have realised that I may not complete the books, but I must never desist. 30 years of writing, and just sifting through my Dad’s diary from 1963 – and knowing his observations as a writer is my DNA and this gives me the courage not to give up.
How cool to have that writing connection with your father, Sandy. Definitely–if you love writing, never give up. :O)
I enjoyed your article so much. Fortunately, my story is a little different since i co-write with my BFF. She lives in Wisconsin and I live in Texas and we only meet in person once a year, but we spend an enormous amount of time on skype. Patty, my co-author, was a professional editor for a newspaper back before we collaborated and she’s a brilliant editor, so no worries there. We use Instagram, twitter and FB, the FB page is called Roz and Patty, and although we take roughly a year to finish a book, we try to put something on the FB page every month at least. We have found we get a better response if we use a photograph, which we take from many of the sites that offer free download of photography. Our books are only available through Amazon, either by kindle download or paperback, but i am happy to say we sell at least something every month. Before we turned to Amazon, the grueling experience of trying to find a publisher or agent was disheartening. I can’t emphasize enough how “two heads” are better than one when it comes to plotting and reading final drafts, but most importantly it’s a fun project and we never experience that lonely feeling that i know authors can get. Good luck to every one out there writing, it’s a tough process going it alone (I’ve done that too). Cheers.
Hi Roz! Nice to hear from you. So glad you and Patty are still having fun writing together. I’m sure you’re right–having another “head” in the game probably helps you avoid some mistakes?
These are all mistakes that I can relate to. Thank you so much for sharing, and hopefully, new writers will take heed!
Thanks, Jan! :O)
This is a very useful article.
Thank you for sharing your experiences.
Thanks, Rach! :O)
Here is my favorite line from your story: “My mistake was in thinking that these stories were unsalvageable. I’ve since learned that pro writers can salvage most any story—because they’ve learned how.”
This is so true for my writing and also for my quilt-making. I am currently working on a quilt and Plan A is NOT gorgeous. But, I have faith that because of all my experience as a quilter, Plan B will be. The project IS salvageable!
Thanks, Lorie. Interesting how certain principles hold no matter what craft you’re pursuing! I can imagine many parallels between quilting and writing. :O)